Years later, Ma has inspired not only a bestselling novel and hit movie, but has also started three different companies—the latest of which, Citizen Sports, is an innovative marriage of sports, betting, and digital technology—and launched a successful corporate speaking career. The House Advantage reveals Ma's cutting-edge mathematical insights into the world of statistics and makes them applicable to a wide business audience.
He argues that numbers are the key to analyzing nearly everything in the world of business, from how to spot and profit from global market inefficiencies to having multiple backup plans in anticipation of every probability. Ma's stories and business lessons are as intriguing as they are universally applicable. Also included is an exclusive interview with the dean of film mixers, Walter Murch, Larry Blake's comprehensive glossary of film sound terminology, a complete appendix of Oscar for Best Sound and Best Sound Effects Editing, and much more.
In a bold rethinking of the Hollywood blacklist and McCarthyite America, Joseph Litvak reveals a political regime that did not end with the s or even with the Cold War: a regime of compulsory sycophancy, in which the good citizen is an informer, ready to denounce anyone who will not play the part of the earnest, patriotic American.
Litvak traces the outlines of comic cosmopolitanism in a series of performances in film and theater and before HUAC, performances by Jewish artists and intellectuals such as Zero Mostel, Judy Holliday, and Abraham Polonsky. At the same time, through an uncompromising analysis of work by informers including Jerome Robbins, Elia Kazan, and Budd Schulberg, he explains the triumph of a stoolpigeon culture that still thrives in the America of the early twenty-first century.
The weekly source of African American political and entertainment news. The language of Hollywood resonates beyond the stage and screen because it often has inherent drama—or comedic effect. This volume contains a combination of approximately expertly researched essays on words, phrases and idioms made famous by Hollywood along with the stories behind 30 or so of the most iconic—and ultimately often used—quotes from films. Charlie Lewis goes on a roller coaster ride of risk, math, and gaming in this middle grade novel that parallels the New York Times bestselling Bringing Down the House, which inspired the movie Charlie Lewis is a nerd.
Though the book is classified as non-fiction, the Boston Globe alleges that the book contains significant fictional elements, that many of the key events propelling the drama did not occur in real life, and that others were exaggerated greatly. Lewis was recruited by two of the team's top players, Jason Fisher and Andre Martinez. The team was financed by a colorful character named Micky Rosa, who had organized at least one other team to play the Vegas strip. This new team was the most profitable yet.
Personality conflicts and card counting deterrent efforts at the casinos eventually ended this incarnation of the MIT Blackjack Team. Ma has since gone on to found a fantasy sports company called Citizen Sports a stock market simulation game.
Mezrich acknowledges that Lewis is the sole major character based on a single, real-life individual; other characters are composites. Nonetheless, Lewis does things in the book that Ma himself says did not occur. One of the leaders of the team, Jason Fisher, is modeled in part after Mike Aponte. After his professional card counting career, Aponte went on to win the World Series of Blackjack, and started a company called the Blackjack Institute.
Mike also has his own blog. An article in The Tech, January 16, , suggests that Roger Demaree and JP Massar were already running the team and teaching a hundred MIT students to play blackjack by the third week of the s, implying that the team had been founded in the late s, before Kaplan joined, although Demaree and Massar have mostly avoided publicity.
In its March edition, Boston magazine ran an article investigating long-lingering claims that the book was substantially fictional. Though published as a factual account and originally categorized under 'Current Events' in the hardcover Free Press edition, Bringing Down the House 'is not a work of 'nonfiction' in any meaningful sense of the word,' according to Globe reporter Drake Bennett.
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